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Origin of the name ARTHUR.
Etymology of the
name ARTHUR.
Meaning of the baby name ARTHUR.
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ARTHUR. Derivation uncertain. Possibly from
Celtic arth, "bear," or ardheer
"high,
lofty." See note below. In Arthurian legend, this is the name of a famous
king. He may have been the same as Arthwys
(q.v.)
No Keltic name
approaches in renown to that of the central figure of the Round Table;
yet, in the very dazzle of his brightness, his person has been so much
lost, that, as the author of Welsh Sketches observes, "Whereas
Peter Schlemihl lost his shadow, Arthur has lost his substance."
To begin with his name. He may have been a
Romanized Briton named from Arctus, "Arthur's slow wain rolling his
course round the pole," and Arcturus, the bear's-tail, far behind him
in Boötes; and Arth,
perhaps from them, does indeed mean a bear in British...
Ardrigh was an Erse term for the supreme monarch over
their five lesser realms, and is still applied by the native Irish to the
king of France,—much as the Greeks were wont to style the Persian
monarch the Great King. This most probably accounts for the term
Arviragus, which we picked up by the Romans, and applied to that son of
Cymbeline who was really the brave Caradwg. Ardheer is another form
of this same title of the highest chief, and the later critics tell us to
consider this as the origin of our hero.
He is not, indeed, mentioned by Gildas, unless he be
the "dragon of the island;" but his omission from that letter is
only to his credit, and the individuality of Arthur stands on the
testimony of Welsh bards up to his own date, and of universal tradition.
Nennius mentions Arthur in the sixth century.
In 720, a person called Eremita Britannus, or the
British hermit, is said to have written about King Arthur; the Welsh Mabinogion,
or children's tales, were all centering on him; and when, in the early
part of the twelfth century, Geoffrey of Monmouth brought out his
chronicle, it was translated all over Europe, even into Greek, and
furnished myriads of romances, metrical and otherwise.
The outline of the Arthur of romance scarcely needs to
be here traced; the prince, brought up in concealment, establishing his
claim by pulling the sword out of the stone whence no one else could
detach it; the Christian warrior, conquering all around, and extending his
victories to Rome; the band of Knights; the now and quest of the Holy
Grail that breaks the earthly league; the fall and defection of the two
most accomplished knights through unhallowed love, the death of one, and
the rebellion of the other, the lover of Arthur's own faithless wife,—all
opening the way to the fatal treason of the nephew; and the last battle,
when the wounded king causes his sword to be thrown into the river, as a
signal to the fairies, who bear him away to their hidden isle. All
this is our own peculiar insular heritage of romance ennobled as it has
been by old Mallory's prose in the fifteenth century, and in the
nineteenth by Tennyson's poetry, the best of all the interpretations of
the import of Arthur himself.
As to his name, it was not very common even in
Wales. It only came forth as a matter of romance, and was given
occasionally either from fancy or policy...
An old prophecy of Merlin was said to have declared
that Richmond should come from Brittany to conquer England, and this
prediction caused Henry V. to refuse all requests to allow Arthur, Comte
de Richemont, son of the Duke of Brittany, to be ransomed when taken
prisoner at Agincourt. His name of Arthur no doubt added to the
danger, and Henry's keen eyesight might have likewise detected in him the
military skill which made him so formidable an enemy to the English on his
own soil, not theirs.
When Richmond really came out of Brittany and conquered
England, he named his first son Arthur, but that son never wore the
British crown, nor did the infant Arthur of Scotland, so named by James
V., survive to be known in history. Arthur, however, had become an
occasional name; but it was reserved for the great Arthur Wellesley, whose
name had perhaps more to do with the old Art
of Erse times than with the king of the Round Table, to make it, as it is
at present, one of the most universally popular of English names.
Even the French use it, for its sound, it may be presumed, rather than for
its recent distinction, and they have ceased to spell it in the old form, Artus,
and adopted our own... (History of Christian Names, Yonge, 1884)
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